Jurgis is filled with grief and despair when thinks of how "they had put their very souls into their payments on that house, they had paid for it with their sweat and tears -- yes, more, with their very lifeblood. " (Sinclair). Perhaps the most dreadful of all things is Ona's death. Her death marks a brand new low for Jurgis. Personal hardship is the backdrop for Jurgis' dream.

Smith hates the Igbo faith so much that he equates it to the Baal and the followers of Baal in the Biblical Old Testament. He has strict policy over conversion to Christianity such that any elder to decides to get converted to Christian faith must immediately abandon the traditional ways and follow Christianity only. His cruelty and strictness to the abandoning of all Igbo traditional ways is seen when he

" Okonkwo inflexible traditionalism pitted him against his gentle son Nwoye, who joined the Christian European missionaries. In the book, Oknokwo had to participate in a ceremonial human sacrifice and endure a seven-year exile after his gun accidentally killed the son of the deceased warrior Ezeudu. He also lost part of himself when he lost Ikemefuna. Upon returning to the village, he found it torn apart by Western Imperialism. Finally, he

Life After Death Is there such a thing as life after death? This is a question which has attracted the attention of philosophers, scientists, and religions for centuries. The difficulty with the question of life after death is that there exists no genuine persuasive proof on the question one way or another: attempts to prove the phenomenon are seldom universally persuasive. In examining some realms in which the question of life

Life for Women in the 1950's Compared To Life Today Life for women in the 1950's was certainly different from life today in many arenas including political, social, and economic, however, while women in the 1950's were expected to be the epitome of the domestic homemaker, today they are expected to be the epitome of the super-mom. In "The Feminine Mystique," Betty Friedan writes about the typical lifestyle of the 1950's woman.

All of these scenes indicate that there might be little more than nothing after life. This poem allows us to see that Dickinson was not happy with accepting the traditional attitudes toward death and dying. Another poem that examines death is "The Bustle in the House." Again, we see death is uneventful. Elizabeth Piedmont-Marton claims that in Dickinson's poetry, "the moment of death seems often less momentous than ordinary" (Piedmont-Marton)